Each Bone of the Body
sounds like a prayer, sacrum, sternum, scapula, as if those who first regarded, then named them, belonged to an ancient cult of architects who built temples which resembled human forms with limbs outstretched so that they faced the stars like stars and offered back this planets’ elements as five spokes on a spinning wheel. If each bone of the body is holy it is because it gives shape to mortal love—bowl of the pelvis like a cradle, sickles of the hips like two moons, every angle open as the mouth to a kiss, even though we will all be torn one day, from the comfort of our usual orbits, and broken. Yesterday, a woman I didn’t know unbuttoned her blouse slow as the unraveling of a long summer morning, held the violet silk slightly apart like those statues of Christ from my youth with his private smile red as the hook and eye of a surgeon’s needle, his crimson nimbus, cold fingers resting against his quiet stone heart which was forever on fire, wounded, crowned with bloody thorns, and worn like false regret or like a ghastly pendant hung at the precise center of his chest. Once I believed love was like that, a cruelty which haunted the empire of my childhood with the hushed voices of black-robed nuns who spoke of Adam’s ripped side, how God drove his fist in until that first man fell silent, then snapped off a single rib which looked, at first, like the waxing moon until he crushed it beneath his heels like dust, mixed in blood from the season’s first kill, then gave it to the wind for form, to the man who called that new shape Eve, though she cared little for his lists of rules and names, preferred instead slender throats of irises, pomegranates with their skin of fire, the orb of gold at morning, silver-black at night, and the circular logic of stars. She was judged to be too much in love with the sleek tongues of fallen angels, the taste of what was sweet and forbidden and sin. What could she say except that she loved the heft of her bones, the way her mouth had wrapped around the promise of knowing all there was to know? In a room whose battered wooden floor was always covered with thick curls of white wax and so seemed in perpetual winter, Sr. Ignatius would read aloud to us from a book of martyrs bound in sanguine leather—those who were wrapped in sheaves of wheat, set as torches against night, whose skin was slipped off like clothes before love-- stones, arrows, hooks in the glistening air. Teeth of the lion, claw of the bear, the wheel in flames on the hill. Sebastian, Agnes, Catherine, Paul, all destined for statues and stained glass, blood being the coin and currency of paradise. Once I believed faith was a gift which would help me turn away from everything that woman, her open blouse, was trying to say. Now I think it is a science of probability, as in the sun will rise tomorrow or this woman will stay with me tonight. And if I’m wrong, if faith means I must turn from the truth of her body beneath mine, the late autumn hues of her lidded eyes, then I am content to be damned to this world where the sky will grow heavy with seasons, wings, or swatches of blue smoke rising, and rivers at sunset will burn but not be burning. All my prayers will be simple, unspoken, the union of bone against bone. I will pray to the body, which never makes impossible claims of perfection, and to this world, which promises this much this morning-- the sound of rain on slate shingles, the scent of last night’s jasmine candle burning down by white curtains which float in the mouth of an open window, and the skin of the woman next to me which turned to silver in the moonlight, whose shadow tasted like the powdered wings of a moth, an angel, who will wake to this gift I offer, a branch of forsythia, its fleet fire bright against the burnt umber of her hair. I am telling you this despite the six o’clock news. Despite Death who flicks open the cover of his expensive watchcase, turns his collar up against rain, who, after all, has been mistaken for that dark child named Pain with his quick temper, stamping feet, who stoops to tie our nerves in knots as if they are nothing more than the troublesome laces of high-stitched boots. I am telling you this despite Christ’s flaming heart, the wound in Adam’s side, despite martyrs who upset the general equation, who refused to flee, but lingered instead like cheap perfume, then bent to kiss the cruel angles of strange and glittering instruments-- morning star, scimitar, stiletto teeth of the iron lady. I am telling you this because it is the only religion I know to be true, because the blades of our shoulders are almost wings, because, whoever you are, we are alive on this blue planet, because rain has overflowed the copper gutters and the bruised sky looks only like itself, which is enough. Because this is the only life we can be certain of. Because this world, each bone, is holy, and never, never enough. |